How
not to…
How not to replace the words from your lips by my words spoken in good will?
How not to replace your foreign language by our French language?
How do we keep your foreign language foreign without neglecting the politeness and hospitality due our audience, our host in the theater?
How, without understanding each other in words, do we still understand each others’ hearts?
How not to appropriate the anguish of others in order to create theater?
How not to sin by illusion of understanding or fear of misunderstanding?
How can you place your self as close as possible to the other without taking their space?
How not to translate? That is to say: how to avoid translating? We must translate.
How not to be seduced by good intentions?
How to not lay it on thick? Not on one side or the other.
How to slip between good conscience and guilty conscience, those Siamese twins?
How to say everything without uttering a single word?
How to become human, that is, never enough or not too much?
How not to give up on reaching for the ideal that we may never attain?
How to be the actor of a person and not her master?
How to be a refuge for a stranger?
How not to play a role?
And what if we never arrive? That is the question of the refugee on her journey.
How not to replace the words from your lips by my words spoken in good will?
How not to replace your foreign language by our French language?
How do we keep your foreign language foreign without neglecting the politeness and hospitality due our audience, our host in the theater?
How, without understanding each other in words, do we still understand each others’ hearts?
How not to appropriate the anguish of others in order to create theater?
How not to sin by illusion of understanding or fear of misunderstanding?
How can you place your self as close as possible to the other without taking their space?
How not to translate? That is to say: how to avoid translating? We must translate.
How not to be seduced by good intentions?
How to not lay it on thick? Not on one side or the other.
How to slip between good conscience and guilty conscience, those Siamese twins?
How to say everything without uttering a single word?
How to become human, that is, never enough or not too much?
How not to give up on reaching for the ideal that we may never attain?
How to be the actor of a person and not her master?
How to be a refuge for a stranger?
How not to play a role?
And what if we never arrive? That is the question of the refugee on her journey.
—Hélène
Cixous
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