VVP: Art 434 & Engl. 410

Website for Vision Voice and Practice: An Interdisciplinary Course in Art and Creative Writing

Monday, March 30, 2020

Andy Goldsworthy & Gerard Manley Hopkins & Robert Frost






In our new, unsettled state of meeting via video-conference, one student noted how the movie we watched of artist Andy Goldsworthy at work in the world reminded him of this poem by Gerard Manley Hopkins:

Hurrahing in Harvest 
Summer ends now; now, barbarous in beauty, the stooks arise
  Around; up above, what wind-walks! what lovely behaviour
  Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,      
  Down all that glory in the heavens to glean our Saviour;
  And, éyes, heárt, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
  Majestic—as a stallion stalwart, very-violet-sweet!—      
These things, these things were here and but the beholder
  Wanting; which two when they once meet,
The heart rears wings bold and bolder
  And hurls for him, O half hurls earth for him off under his feet.
Another student was reminded of this poem, by Robert Frost: 
Mending Wall 
Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbors.’
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘Why do they make good neighbors? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn't love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbors.’

Thursday, March 19, 2020

Cross-Genre Conversation Pieces: Marianne Moore & Joseph Cornell

A few weeks back, students presented the work they made in response to Marianne Moore and Joseph Cornell. Here's what they made:

 [Zach Jimison]
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 [Hannah Sapigao]
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[Jasmyne Bell]
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[Dienna Catuna]
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 [Emma McLaughlin]
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 [Emily Jacobo]
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[Eden Theule]
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Cross-Genre Piece #1 - responding to J. Cornell’s Lunarscape 1952
6:04pm-7:04pm 2/7/20
The moon lists above him and he lists with it
Blue, dusted with orange, marked with grey and white
Beautiful, luminous, empty, big
Empty. 
Tilting.
He feels the star remnants beneath his feet,
The blue dust scattered. 
He sees the broken shells of his once-refuge.
A seat here, a seat there.
A piece of engine, smoldering. 
God, he thinks, are you with me?
Silence answers.
And then -
Light.
In a pillar of fire before him. 
Oxygen levels at 23%.
He breathes
I am dying. 
The moon sinks, he stumbles.
The fire fades.
Cloud replaces it.
Cloud, the color of the moon.
White, soft, gentle.
Home. 
Where is my home? 
He falls forward, and does not hear the sound,
But feels it -
His body, feels it.
Blue filament scatters at his impact.
Deserved, you have decided. 
Nails have pierced his suit,
He hears the whistle of air,
The cold
Of space. 
The pillar of cloud stands before him.
Above him.
Behind him.
With him. 
The moon rises, and it turns
Back to fire.
Luminous. 
The stars of the ceiling sag, each winking in harmony
They blink, witness of a creator
Witness, to a creation 
He begins to cry.
Wet splatters against the glass of his helmet,
Leaking out through the cracked screen,
Frosting against his cheek.
Searing in the heat of the fire,
Turning to mist before him. 
The pillar flickers -
Cloud, fire, cloud, fire 
The moon spins.
He spins? 
The pillar does not move
Steadfast
Constant
Immutable 
My home, he cries out to Silence. 
When he opens his eyes again,
All he sees is cloud.
And fire.
He ​breathes. 
“My beloved Son,”

Arms surround him, light-soaked and cloud-heavy.
He at once, knows, knows​ he is cherished. 

“Welcome home.” 
[Lavender Tonini]
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[Emily Bontrager]
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[Johanna Nelson]
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[Juliana Fujii]

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[Lori Lusk]
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[Emma Fellows]
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[Hannah McLaughlin]
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[Micah Brady]

Saturday, March 7, 2020

Extended Collaboration #1

Last month (mid-Feb), students worked in pairs and threes to collaborate on making a textual/visual object that privileged the site where alphabetic text usually predominates: Books, posters, and so on. (Not everyone appears to have followed that principle to a T, but appearances are open to interpretation.) Below is documentation of those objects.

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Pokemon cards, by Micah Brady, Dienna Catuna, and Hannah McLaughlin:

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Story clocks, by Lavender Tonini and Lori Lusk:

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Chicken sandwich feud poster, by Julianna Fujii, Emily Jacobo, and Johanna Nelson:

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Ann's Diary, by Hannah Sapigao and Emma McLaughlin:

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Brady Bunch Subtitles, by Jasmyne Bell, Emily Bontrager, and Emma Fellows:


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Wash instructions, by Anna Winters and Dahria Messina:

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Modified encyclopedia, by Eden Theule and Zachary Jimison:

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